I claim no special expertise in this element of South Indian culture, but I do admit to a longtime fascination and deep affection for elements of traditional Indian culture. I was introduced to Indian classical music and dance at an early age and remain fascinated by the traditional Indian ability to incorporate such a high degree of eloquence in dance and music. In turn, this has a cosmic and astrological dimension which would fascinate any passionate astrologer. What animates the body and how we experience various states of being is ultimately a mystical experience. As described in the scriptures, these are the nine primary emotions experienced by ‘Shiva’ the Lord of Dance.
Navarasa or the nine moods and expressions come from Southern India, including Tamil Culture, The system is useful for a variety of reasons, but perhaps most particularly in the training of traditional dancers, Indian dancing is meticulous in detail and that includes attention to mudras, the movements of the eyes and what the hand, eyes and expressions. Hindu architecture has sometimes been referred to as sculpture, simply because much of it is carved. Every form in ancient Indian art is rich in significance, transcending simple beauty to evoke the divine and the cosmic.
Every Rasa corresponds to a particular Bhava. The Natyshastra have carefully described the Bhavas used to create Rasa. The following table shows the nine moods (Navarasa) and the corresponding Bhava. Every Rasa is identified with a specific colour for the use in performing arts. Presumably, Bhavas may be co-mingled in the same way that planetary energies can work together, but there is a great advantage in distinguishing each by itself.
The number nine holds a special place in ancient Indian culture and indeed in many world cultures, both Oriental and Occidental. Ranee Kumar writes “The ‘Fruit of the Spirit’ comprises nine graces: love, peace, suffering, gentle, good, faith, meek and temperance. The ‘gifts of the Spirit’ are 9 in number: the word of wisdom, the word of knowledge, faith, healing, miracles, prophecy, discerning of spirits, tongues, and interpretation of tongues.” (The Hindu 06 October 2011).
|Shringar(Erotic)||Rati||Delight||Pale Light Green|
|Veera (Heroic)||Utsaha||Heroism||Pale Orange|
An anonymous Indian source confirms that these relate to the planets thusly:
Adbhuta : Surya (Sun)
Karuna : Chandra, (Moon)
Veera : Kuja, (Mars)
Hasya : Budha, (Mercury)
Shanta : Guru, (Jupiter)
Shringara : Shukra, (Venus)
Raudra : Shani, (Saturn)
Bhayanaka : Rahu and (North Node)
Bhibhatsa : Ketu. (South Node)
So, these nine ‘moods’ or states of representing the motions of the indestructible soul on Earth. The fact that each has a direct correspondence with a planet (Indian astrologer consider the Node as planets) reveals a core belief that these nine energies are interwoven into every element of life. You will also note that relating these states of being to planets, tells us more about the planet and the Bhava itself. The idea that so much may be conveyed through dance is a thing of great beauty.