Secrets of the Antikythera Mechanism: 1 & 2

Approximately three hours of lectures on the Antikythera Mechanism. This is of great interest to Hellenistic astrologers, as well as astronomers, historians, and others. The mechanism even calculates Saros cycles, phases of the Moon, planetary motions and much more. The third video shows a Virtual Reconstruction of the Antikythera Mechanism (by M. Wright & M. Vicentini)

Ishtar & Aphrodite – Part I

It seems particularly apr to begin this article with a reference to Gustav Klimt’s “The Die Jungfrauen” (The Virgins) 1913  shown above because it celebrates the stages of a woman’s life and the intertwining rhythms and themes which I would like to explore in reference to the understanding of Venus.  This work isn’t to read as a single moment in time, but as depicting the evolution into womanhood. The curator at the Klimt Museum notes that there ” are six women in the painting (or one woman with four sides to her persona) and all of them seem to be intertwined. The lines are clear and the human themes of love, sexuality, and regeneration are obvious in the circular cyclical shape of the work. In painting The Virgins the different life stages are represented by the same woman. Dislocated body parts in outrageous poses move as if underwater. The empty shell of a woman’s dress at the bottom gives birth to a child (the next generation) via a cascading waterfall of colour.”

In order to understand the essence of a thing, it behooves us to discover and contemplate its origin. But Aphrodite is not a thing, she is an archetype used to inform us of the meaning of the planet Venus. For those wishing to avoid a psychological approach, Plato’s Forms will adequately explain the relationship. Not everyone will be happy when I suggest that the better an astrologer understands the essence of the signs and planets, the better astrologer he will be. . I would suggest that it isn’t enough to say that astrology is a symbolic language. It is that too, but one needs to know what the symbol points to in all its wealth of meaning.

There is a view among some so-called traditional astrologers that astrological delineation is a more or less a mechanical process. Any reference to myth or spirituality is seen as a betrayal of tradition. I think the reverse is true. The history and expression of astrology since earliest antiquity, and indeed even during the Paleolithic period, has always been imbued with a soul and I contend that it should be approached in this spirit.

Contemplating the origins of astrology fascinates me personally, but this is something that astrological thinkers have to do a great deal of. In order to know why there are twelve houses with specific significations, we need to go back to the beginnings of horoscopic astrology and indeed to that which preceded it.  The same is true of the signs.

Most constellations look nothing like what they are purported to represent, yet the record shows us that for the most part there was a surprising degree of agreement on what they were. Why is that? We also gain a great deal by studying the earliest interpretations of the planets and the cosmologies that inform them.  However, the understanding we have cannot be universal, unless we can truly understand the root essence of the meanings allocated to planets. Authentic astrology is rigorous and works on more than one dimension. As will become evident, with Venus the core meanings are in the Venus cycle and her associations with the feminine.

The Evening Star – Venus in the Pleiades star cluster April 3, 2012.© 2012 Alan Dyer

In the case of Venus, most modern and contemporary astrologers subscribe to the European understanding of the Roman Venus. She is absconded from Greek mythology to Rome. from Aphrodite to Venus. Not much else changes and she seems not just rather domesticated but separated from some of the most basic elements of the real feminine.  This is the Venus we see in the newspaper columns and in popular star sign books, where Venus is almost always spoken of romantic. But even serious modern astrologers have a very narrow view of Venus. Presumably, William Lilly only had access to Classical and Medieval sources.

Lilly wrote: “”[QUALITIES OF MEN & THEIR PROFESSIONS.] Musitions, Gamesters, Silk—men, Mercers, Linnen—Drapers, Painters, Jewellers, Players, Lapidaries, Embroiderers, Women-tailors, Wives, Mothers, Virgins, Choristers, Fidlers, Pipers, when joyned with Moon, Singers, Perfumers, Semi lers, Picture—drawers, Gravers, Upholdsters, Limners, Glovers, all such as fell those Commodities which adorn Women either, in Body (as Cloaths) or in Face, (as Complexion-waters.)”

The list contains musicians, indeed all the decorous arts, and among the Venusian professions we have wives, mothers, and virgins. The portrait is suitably one of harmony, peace, and beauty. There is absolutely no doubt that all this belong to Aphrodite, but it is missing key feminine qualities on a grand scale. This is a somewhat sanitized version of the feminine and I’m reminded of the old English nursery rhyme: “sugar and spice and all things nice – that’s what little girls are made from.”

The Venus Tablet of Ammisaduqa is the sixty-third Tablet of the Astronomical omen series Enuma Anu Enlil. The tablet records the heliacal risings and settings of the planet Venus (Ninsianna) for a period of twenty-one years. (British Museum).

The original ‘Venus” was Innana or Lilith and was associated with the planet Venus and her phases. She was the Queen of the Night with a ferocious libido and her story passed down to us in the Babylonian sources is one of the earliest and most articulate representations of “hell hath no fury like a woman scorned.” Hers is a chthonic force that has no truck with the rational. She is a Kali – dishing out death while giving birth. – a goddess of Creation, Destruction, and Power. Indeed, the two are so similar, that it’s quite plausible that they derived from the same source.

In The Epic of Gilgamesh, Innana travels to the underworld, dies and is resurrected. This is a reference to the Venus cycle. Her period of visibility, including her passage as morning and evening star, is very close to the traditional period of the gestation cycle of 260 days, associating her with creation and childbirth. She is not visible for about three months of the year (about 105 days) which would correspond to Innana’s ‘death’ or passage to the underworld.

When Innan rises (as does Venus) she is rising before the Sun, ready for war. During this phase, she is also known as Lucifer and Phosphorous. This fire turns to more sensual pursuits when she is the evening star, behind the Sun. Here we once again see the Garden of Hesperides. The Mayans also placed multiple significance on the Venus cycle, identifying it with the gestation cycle and the growing cycle of maize. I recommend an article by Erika Reiner and David Pingree that provides a great deal of detail on this matter.

There is an important distinction to be made regarding Innana and her ‘successors.’ Inanna is not a Semitic deity. This is of some importance because of the cultural milieu. The early Sumerians clearly had a goddess-based religion. It is in her and her closest forms that the feminine has the capacity for its fullest expression. The more Patriarchal cultures of Greece and Rome to some extent recreated Venus in their own image – or more precisely in the image of a domesticated feminine who could occasionally be quite naughty, but a not a woman who occasionally expressed herself as a raging volcano. This is why the cultural milieu is always relevant in deciphering these things. What is most striking is that the traits of the physical planetary Venus have been minimized. Classical or Hellenistic astrologers and those who followed did take the phases of Venus into account and this was true until at least the 18th Century. But Innana has been stripped of her chthonic and primal nature.

Kali_Devi 1770 Print Colored etching on paper,

The writer in the Encyclopaedia Britannica states: “Ishtar / Innan’s primary role in Sumer was that of fertility. However, she evolved into a far more complex character, with association with death and the underworld and all kinds of catastrophic disasters in short order. She was a goddess of contradictory connotations, of comfort and wrath. fire and fire-quenching, rejoicing and weeping, justice fair and enmity. As a goddess of Venus, delighting in physical pleasure,  she was the protectress of prostitutes and patroness of the alehouse. Part of her cult worship almost certainly involved temple prostitution.”

With the inception of Islam, there is a monumental shift in the meaning of Venus. Illustrations of the Islamic Venus, lack any real sensuality. She has the image of a beardless man and is mostly associated with music and dance, although she is considered the lesser benefic and Islam is said to be “under Venus,” in the same sense that Judaism in under Saturn.

Venus is the star in the Crescent of Islam. If we also consider Isis as an element of the Primordial Goddess, we can see how these Semitic, Mesopotamian. Egyptian and Roman manifestations of the goddess inform the culture as well as show how the feminine force was interpreted. Some cultures hold the goddess as a divine creator, while others perceive her in a more subservient role. No doubt this is a reflection of cultural views of women. Nevertheless, I would say one ignores or underestimates the power of the feminine at their peril. It is not an irony that an acceptance of these traits enhances the more traditional ones. It is easier to understand Venus as the evening star if you know where she has come from and where she will return.

To what extent anyone wishes to take this to heart is, of course, a personal matter.  Nevertheless, the full spectrum of Venusian power will be better appreciated by examination of the essence and roots of the archetype and the close relationship to the planet Venus, in all her phases.  I suspect it may also cause some to more closely examine the phases of Venus, which has been a core element in traditional astrology from the very beginning. Discussion of this subject can only provide a deeper understanding and illuminate both tradition and cultural bias.

Clearly, the main elements of this article require a later expansion – for example, the Venus phases themselves.. The Lunar cycle and the Venus cycle are intertwined and to a lesser extent, so are the phases of Mercury. is the c The intent of this article is to raise some of the main issues regarding the interpretations of Venus.

Songs from the Gathas – Removing Spells & Illness

A Persian Zoroastrian King and his young son, Salmân al-Fârisî, enter a fire temple administered by three priests,

This is another of those topics which deserve a lengthy article, but for now a blog entry will have to suffice as an introduction to a highly complex topic. The video, shown below, was made available on YouTube by a Zoroastrian gentleman who has an extraordinary channel at Fereydoun Rasti Zoroastrianism & Iran If this material interests you, I heartily recommend looking through the extensive archives of videos. 

I posted this rather lengthy video because it uses the Zoroastrian scriptures known as the Gathas. The similarity to the Vedic word Gita (song) is no accident: Maneckji Nusservanji Dhalla states that “It is an uncontested fact that there is a marked closeness between the grammar,metre, and style of the Rig Veda and the Gathas.” (History of Zoroastrianism p11).. The power of words is emphasized in both and the verses are meant to be sung, as the title suggests.

Zoroastrianism posits, quite sensibly in my estimation, that this world is in a battle between good and evil. There are no specific scriptural comments on astrology per se in the Gatha period at least, but astrology certainly became an important element of Persian beliefs. It was already ubiquitous. Zoroastrianism is not known as a superstitious religion. It is widely believed that Zoroaster was a priest and a prophet, associated with the Magi. He is considered a magician in the true sense.

The creator, Ahura Mazda, has always affected human reasoning and therefore actions. The aim is to reveal to humanity their innate connection to the source of light and consciousness. It should come as no surprise that Zoroastrianism was the impetus and source of Mahayana Buddhism.

There is also an angelology – the idea of celestial forces that could be called upon.  Ahura Mazda is ineffable.  The point for our immediate concerns are that the Gathas were sung for devotional reasons and also used to mitigate or cast out what were considered evil forces, including common illnesses. This cosmology lends itself very well to an astrological framework, but not one in which the planets or angels had a will of their own, as it were. We come back to the to the question as to whether the stars impel or compel us. The creed of Zoroastrianism comes down to “good thoughts, good speech, and good action..” With this thing in mind the practise of singing the Gathas, we find that this is more a practical application of divine principles than superstition.

The counterpart to Ahura Mazda is Angra Mainyu also known as the “evil spirit.” This dark manifestation is ultimately set to be destroyed according to Zoroastrian eschatology  In the meantime, the kinds of practises described in the video presentation are regarded as wise and efficacious, much in the way a Hindu or Buddhist might consider a mantra. We don’t consider the practise of such things as being indicative of superstitious minds and certainly neither do those employing these remedies. This is the source of confusion for many when being introduced to the Good Religion, as it is frequently called. A Monotheistic faith that recognizes dual forces of light and darkness within that wholeness is actually a fair and apt description of life.

 

The study of ancient and classical astrology inevitably including spending a great deal of time on the history, culture and particularly the religion of ancient Persia. There are several reasons for this, but the primary one can be realized immediately by the strategic location of a land that once included most of what is now Afghanistan and beyond. She borders India and the Sik Road to China, promoting trade and the exchange of ideas. Moreover, she also bordered and later ruled Babylon, Assyria, and Sumeria.

The capturing of Babylon also include the liberation of the Jews by Darius, who went further and paid to gave the temple re-built. darius forbid the use of slaves.  Later on, Persia was conquered by Alexander the Great, whose teacher was no less than Aristotle, Alexander’s conquest of Asia was a bloody affair and many scholars and written material were lost forever when he set the torch to Persepolis, burning the city to the ground amongst an orgy of violence, in spite of the fact that the inhabitants have surrendered. That was one of the best cases that have ever been made against the excessive abuse of alcohol in decision making in all of history.

Even the most unjustly founded empires do in fact has some advantages and this is very much the case in the transmission of knowledge. The Hellenistic world united Greece with Egypt and  Persia with both. The School of Alexandria was among the greatest venues for shared knowledge, from Hindu astronomers and astrologers, Buddhists, Pythagorean, numerous Solar religions, Neo-Platonists, devotees of Isis, Christians, Jews, and Zoroastrians. This place of extraordinary learning was to meet its own demise under the Muslim invasions.

It’s a Persian, Indian and Greek alchemy that produced what we now call Hellenistic astrology. But that is only the beginning.

Father Christmas & The Piper at the Gates of Dawn

The Longest Night must pass before the waxing of the Light. A Blessed and Merry Yule to all my friends, family and associates. At the time of the Solstice, we have the image of the Centaur giving way to Capricorn with the Holly King, appropriately riding a Goat.

St. Nicholas magazine cover art by Canadian-born illustrator Norman Price, Christmas Number, December 1912

There are some variations on the theme of the Holly and the Oak Kings. First of all, they are two faces of the same life force, with strong natural, seasonal, agricultural and mythical significance. Form a traditional astrological point of view, the two signs of Saturn oppose both luminaries – Capricorn opposes the domicile of the Moon and Aquarius the domicile of the Sun. It is, after all, a dark time of year with the seeds of the waxing light.Beyond all other considerations, the celebrations taking place cross-culturally and around the world celebrate and exalt this seed of light.

The story of Pan and his contest with Apollo is an archetypal portrayal of Saturn vs the Sun. Pan is remembered for competing with his flute against Apollo’s lyre. Rhe contest was judged by Timolus to be inferior to Apollo’s lyre. Everyone present agreed with the judgment except for King Midas, who considered it unjust. For his insolence, Midas acquired, by the will of Apollo, the ears of an ass, which he tried, unsuccessfully, to conceal under a turban.

I’m also reminded of the passage by C.S. Lewis wherein Mr. and Mrs. Beaver tell the children that Narnia is under the spell of a malevolent despot. There is neither joy nor peace. Narnia has become a land where hope is little more than an act of folly and oppression is the order of the night,  Every day is as if it is “always winter but never Christmas.” Not long after, there is the sound of sleigh bells and it becomes apparent that the dark force is losing its strength.

Lewis is drawing from ancient sources and a theme that is ubiquitous. Christmas is, of course, a Christian festival, but The Oak King and the Holly King each rule for half the year. The evergreen holly and the sacred oak symbolically vanquish each other every six months, to rule for half the year. In reality, they are two sides of the same force. Indeed, the etymology of the word Holly in Latin means the holm-oak or evergreen oak (Quercus ilex).

These battles are usually considered to take place at the Solstices, but this seems to be the result of a misunderstanding regarding the nature of the seasons.

The battles take place at the Equinoxes – Samhain, and Beltane so that the Oak King is at his strongest during Midsummer or Litha, and the Holly King is dominant during Yule. In the Celtic tradition, Samhain is the end of Summer and the beginning of a new year. Beltane is a time of new life – a celebration of mating and regeneration. The association of Pan with Capricorn shouldn’t be missed. At his peak, the Holly King is very much like the Lord of Misrule, thriving as he does under two consecutive Saturnine signs.

Pan and Daphnis 4, the inventor of the bucolic poem. 7222: Gruppo marmoreo di Pan e Dafni. Collezione Farnese. Forse da un prototipo dello scultore rodio Eliodoro. National Archaeological Museum, Naples.

I think Lewis is also pointing to a parallel tradition in which a faun might be interpreted as a child of Pan. In the engraving above, Father Christmas or the Holly King has an unmistakably lecherous grin and he appears to be well- stocked up with wine. The goat is synonymous with lust and of course, Pan himself is half goat.  We have a mischievous  Father Christmas who could also be seen as the Lord of Misrule, found at the center of Saturnalia. The Holly Kings is also merry. The mythic elements are also decidedly chthonic and celebratory of nourishment found in barren places. Goats thrive in the most hostile environments due to their extraordinary sure-footedness and ability to find food even in the most remote places, including high elevations and extreme temperatures.

This 1835 drawing depicts “Father Christmas” being ferried by a goat.
Wikimedia Commons / University of St Andrews Library

It would be naive to interpret the Holly King as a Santa Claus, but the fact is they will forever be associated with most of the same themes that we associate with Christmas and Yule and the dozens of other festival occurring at the same time. Pan is the Piper at the Gates of Dawn. Syd Barret, a Capricorn, chose this title for Pink Floyd’s first studio lp. No doubt, he got the namer and the inspiration from ‘The Wind in the Willows’ by Kenneth Grahame; illustrated by Nancy Barnhart and  Published 1913. The Piper goes back much further, however, and he was the subject of Pre-raphaelite artists.

Pan’s is a primal music and his nature is the origin of the word ‘panic.’ But authentic music is not merely cerebral. It evokes other states of consciousness – some sweet and some dark

The Season is a celebration of Peace and Good-Will as much as it is a recognition of our most primal nature and the transmutation required to embrace both. We are all the Piper at the Gates.

The Turning of the Wheel – Winter Solstice

Winter Solstice – Capricorn Ingress of the Sun – Dec 21 2017, 4:27:52 PM  GMT

I believe that the pivotal charts for the two Equinoxes and Solstices are not so much a time for analysis as they are of seasonal observation. They are times of celebration. I will make just a few brief observations on the chart for the time of the Solstice. Before we do that, I’d like to take some time to recognize the nature and symbolism of the Winter Solstice.

This is a particularly auspicious day for people of widely diverse cultures, ranging from the St Lucia Day celebrations in Scandinavia, Saturnalia and its modern variants, Chanukah, Christmas and many Pagan celebrations that go back to the dawn of time. Less well known perhaps is the Persian festival Yalda, or Shab-e Yalda . It’s a celebration of the Winter Solstice in Persia that began in ancient times. It marks the end of the month of Azar. Yalda is symbolic of the victory of light over dark ar the time of the longest night. It is the birthday assigned to the Sun god, Mithra.  There are family celebrations with traditional foods like nuts and pomegranates. The intent is to stay awake all night long in order to welcome the rising Sun.

In my indigenous Celtic tradition, we bring the symbolism of Father Christmas, holly, the Yule Log, Mistletoe, the Christmas Tree and almost everything else we think of at this time of year in European cultures and increasingly in Asian ones as well. Yule is a Pagan holiday that celebrates the Winter Solstice. Every detail has significance. While it is true that Santa Claus and the Christmas tree also originate in part from different, but parallel traditions, the core symbolism of the point of greatest darkness is the seed for the renewal of the light – the waning of the light gives way to the waxing of the light force.

The Celtic Wheel of the Year

The symbolism is shown in the wheel of the year, constantly turning, waxing and waning throughout the year. On this spoke of the wheel,  the Oak King, representative of the light half of the year, changes places with the Holly King, representing the dark half of the year. This ensures that the light and warmth of the Sun will begin to wax each day until the cycles begin again. The universality of celebrations with similar themes are evidence of our deep connection to the cycles of Earth and Heaven.

On this particular Winter Solstice, of particular note is that Saturn enters his own domicile of Capricorn on the day of the Solstice. This is a very good thing. Saturn is relatively miserable in Sagittarius and when Saturn is in a sign that is not congenial, it augurs for more difficulties. You might think of this as something of a homecoming, with Saturn stepping into Capricorn with the Sun.

The warm expressiveness of the Sun is contrasted with the cold, dry astringency of Saturn.  Still, I see this as more of a congenial meeting, particularly because Saturn is in Cazimi. This is a very rare occurrence for the Sun and Saturn to be in this relationship right at the moment of the Winter Solstice. Saturn ends up with the highest score when accidental dignities are considered. It’s an auspicious event to see Saturn enter into his own domicile in this way.

To better understand Cazimi, it’s important to note that traditional astrologers maintain that the proximity of Saturn to the Sun, within approximately 10 degrees, is combust. Combustion is a term of Medieval origin that indicates that a planet is, as it were,  swallowed by the beams or fire of the Sun. When a planet is combust, it won’t be visible. Because light is an essential element in traditional astrology, this further points towards the poor condition of the planet. However, the ancient astrological tradition also recognizes an important exception. This exception is named Cazimi, a transliteration of the Arabic term kaṣmīmī. This empowers the planet greatly. Saturn, as William Lilly stated  “will be ’wonderous strong.’

The Almuten or Guardian Spirit of the moment is Jupiter.  He is the Face ruler of the Sun but has none of the essential Dignity rulers of the Sun.  Jupiter then collects light from both luminaries. This makes him a more powerful participant than may be obvious at first glance.  Mars has greater dignity and is in his domicile. These two in the Fifth House under Mars can be a boisterous combination.  The more difficult elements are not so easily obvious either. For example, the Moon is in the Eighth House. This is the House of death and the place of Aquarius in the Thema Mundi and she is the ruler of the Ascendant. This augurs caution, particularly in London at this time.  This a wonderful time to celebrate at home with family and loved ones.

Feat on Yalda Night